In this episode we interview FloVerse Artist Scientist Michael Fraser, a Producer, Gypsy Violinist and DJ who is passionate about helping artists find their own unique sound. In this Podcast, Michael shares his personal experience on the importance of using emotion when playing and creating music. He also provides suggestions on how to tap into your ‘flow state’ (aka ‘creative zone’) using your imagination and internal imagery. Finally, Michael provides his thoughts on the next generation of music creators and how sampling has evolved the creative process.
“We are seeing right now how decades of dj’ing and sampling has turned into a creative outlet to be music creators. I am excited to see what the children of the next generation come up with in ways to express themselves. Both in musical ways where you start with the notes but also where you’re starting with samples and not necessarily a theoretical thing” – Michael Fraser, DJ Gypsy Violinist
In this conversation: 01:40-Putting your emotional self into music production 03:28-Finding your ‘Flow State’ through imagination and internal imagery 06:39-The future of music and sampling, the blurring of the line between DJs & music creators 09:58-Michaels’s lifelong quest to help other artists find their authenticate sound and flow state
Check out the full episode on all major podcast channels (Apple, Spotify, Anchor, Soundcloud) and our YouTube.
In this episode, we interview FloVerse Artist Scientist DJ Denise Fraser, a radio, music and event production producer from Vancouver, BC. She is the Radio Host for Canada’s longest running LGBTQ+ show called QueerFM on CiTR and serves up a weekly dose of Hip-Hop on the Urban Renewal Project on Co-Op Radio. In the podcast, Denise provides advice for the next generation of DJs by comparing the analog and digital learning approach. She explains her process for getting into the zone aka the DJ ‘flow state’, which allows her to “paint music on dance floors” by being in tune with the vibe of the room. Lastly, she explains the potential of using motion for music creation on the dance floor.
In this conversation: 01:17 – 1999 How DJ Denise first started rocking the crowds 03:35 – Leaning new gear: tinkering and making it work 05:43 – The next generation of music will be digital and easier to learn online 07:31 – Tips for becoming a DJ: listen 08:14 – The DJ flow state = being in the zone 08:55 – How DJs are like painters 11:10 – Using motion for music creation on a dance floor
About DJ Denise Fraser Denise has been DJing in Vancouver since 1999. Her beginnings were just collecting music on cassette tapes from the radio and finding undiscovered artists before they became popular. Friends would keep asking for copies of music before she had any idea she was destined to be a DJ. After her first successful event she was hooked and the story of DJ Denise began. Now, Denise is a pillar of Vancouver’s hip-hop community and has produced many hip-hop events in the city. She has supported artists such as The Rascalz, Concise, Swollen Members, Tre Nyce and Wu-tang Clan among others.
Denise’s experience using FloVerse’s iOS App ‘Midimo‘ (MIDI + Motion) “I like Midimo. I connected the App on my iPhone 11 to FL Studios (Fruity Loops, a digital audio workstation for making beats) on my Macbook Pro via Bluetooth. Connecting Midimo was very straightforward, everything just worked for me. Nice and easy!”
Our first FloVerse Artist Scientist Podcast is an interview with DJ Dain, a.k.a. Andrew Bowers, a composer, producer, DJ and musicologist from Vancouver, British Columbia.
We talk about finding your creative voice, tips for entering the ‘flow state’ (the creative zone) and his cautious optimism about the emergence of NFTs (Non-Fungible Tokens).
DJ Dain also offers up these three tips on finding your creative voice:
Address your imposter syndrome
The imposter syndrome is a feeling similar to anxiety where you feel like a fraud because you doubt your personal capabilities to achieve success (Cox, 2018). DJ Dain’s starting point was saying yes to opportunities outside his comfort zone and taking reassurance from multiple friends that these were things that he could do. This initial support and validation that he was competent at something, was the beginning of his confidence in a skill, “if nothing else, believe in your friends who believe in you”.
Be silly or use a stage persona
After creating a silly stage persona, DJ Dain freed himself to have more fun. He fashioned a costume by putting on a motorcycle jacket and sunglasses and then practiced his best Michael Buffer impersonation (Michael Buffer is a famous ringside MC/announcer who coined the phrase, “Let’s get ready to Rumble!”). Together with his costume and MC impersonation, he gave himself creative permission which helped him to overcome his inner judgement.
Trust that you have great taste
A turning point for DJ Dain came after hearing the inspirational interview “The Gap“, with Ira Glass (see quote below). Ira spoke about the distance between your taste and your skill ‘the gap’, and how you need to recognize how much you have before you can achieve the same level of skill that you admire. So many people give up before they come to this understanding and it’s the first big hill that you have to climb as a creative. Once you understand this creative process and are able to cross over, this is when you are liberated and start making your best work.
Quote by Ira Glass, “Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take a while. You’ve just gotta fight your way through.” (Glass, 2014)
So what will you do to close the creative gap and find your creative voice?
Podcast Timestamp: 01:21 – Andrew’s personal story about finding his creative voice 02:56 – Addressing your imposter syndrome 03:38 – Making things silly and using a stage persona to overcome inner judgement 04:50 – Trust that you have great taste 06:56 – Getting and staying in the zone (flow state) 13:07 – The future of music tech and Andrew’s thoughts on NFTs 15:30 – The need for accessible technology